This photograph, taken around 1930, shows John C. Campbell Folk School students learning to weave in the Community Room of the Keith House. Weaving was taught at the school in the 1930s and some production weaving for the marketplace took place...
This photograph, taken around 1930, shows John C. Campbell Folk School students learning to weave in the Community Room of the Keith House. Weaving was taught at the school in the 1930s and some production weaving for the marketplace took place...
Storytelling -- North Carolina -- Jackson County; Music -- North Carolina -- Macon County; Musicians -- North Carolina -- Macon County; Teachers -- North Carolina -- Jackson County; Music -- North Carolina -- Buncombe County;
Amy begins the show with her story "Daddy Waltzed with Mother." Then Doreyl’s guest, Fran Cargill from Franklin, sings "Amazing Grace" in the Cherokee language, followed by a rendition of the song from the Nikwasi Dulcimer Players; Cargill shares...
Storytelling -- North Carolina -- Jackson County; Ammons family; Pottery, American -- North Carolina -- Jackson County; Arts -- North Carolina, Western; Artists -- North Carolina -- Jackson County; Cherokee Indians -- North Carolina -- Social life...
Amy begins the show with her story, “And the Wolves Howl at Night.” It recounts how her grandmother, living in the Little Canada area, provided for her family and maintained her home while her husband was fighting in the war. The story is...
These documents pertain to the life and work of Lucy Morgan, weaver, instructor, and founder of the Penland School of Handicrafts (now Penland School of Crafts). Included is the transcript of an interview conducted by Edward Dupuy and Clifford...
This is a transcript of an interview of woodcarver Sue McClure conducted by Edward Dupuy in 1965. McClure lived in Brasstown, N.C. and sold her carvings during the Craft Revival period through a carving cooperative that came to be known as the...
This black and white snapshot pictures a study circle at the John C. Campbell Folk School circa 1930, and shows the manner in which teaching took place at the school from 1927 when the first classes were held through the 1940s. The study circle is...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
Emma Squirrel Taylor (1920-2002) was a master Cherokee basket weaver whose specialty was white oak baskets. After learning how to make a basket in 1927, she produced them for more than half a century. Her work earned her recognition well beyond...
This 1940s photograph by Vivienne Roberts shows young women participating in a weaving class at the Cherokee Training School. Classes in traditional Cherokee arts and crafts were taught at the Cherokee Training School to provide vocational...
This four-page brochure was created by the Indian Arts and Crafts Board, a division of the United States Department of Interior, to accompany a 1970 exhibition of “Basketry by Lucy George.” The exhibitions were held at Qualla Arts and Crafts...
This undated storage basket was made by Cherokee basket weaver Amanda Elaine Smoker (1916-2010). The upright basket is made with white oak splits. Woven upward from a rectangular base, the basket necks in before flaring outward to a round rim. ...
This undated basket was made by Cherokee basket weaver Lucy George. The basket is honeysuckle woven over white oak splints with two carved drop handles attached to the base. A small handled basket such as this one can be used as a purse; some are...
This undated basket was made by Cherokee basket weaver Lucy George. The basket is honeysuckle woven over white oak splints that were shaped over a glass vase. Vase baskets became popular in the 20th century in response to the tourist trade. The...
